Friday, February 29, 2008
Hitchcockian
Sunday, February 24, 2008
''How do you manage to shoot women and children?'' ''Easy. You don't lead them so far.''
Full Metal Jacket (1987) is in my opinion one of Stanley Kubrick's greatest works. (Granted I've only seen like four of them, so take that with a grain of salt.) As in many of his other flicks, Kubrick is seen as very critical of man's choice to partake in wars. The movie is split up into two distinct parts: a Training Camp and Vietnam. At the training camp we meet Sergeant Hartman, who's job is to produce killing machines. He often bullies a dimwitted and overweight man by the name of Leonard Lawrence, whom he nick name's Gomer Pyle. After getting all of the recruits in trouble. Long story short, all the bullying makes Leonard go crazy and kill the Serge. The latter half of the film follows a character introduced in the first half as he makes his way through Vietnam during the Tet Offensive. The movie shows how the army uses dehumanizing tactics to make murderers.
Thursday, February 14, 2008
Paths of Glory
I feel he shows the corruptness that power and ranking bring to a person. In the first recon mission. A drunken Lieutenant Paris, becomes confused and kills one of his own men. He then says to Roget, "Have you ever tried to bring charges against an office? It's my word against yours, you know, and whose word do you think they're gonna believe- or, let me put it another way, whose word do you think they're going to accept?" This quote shows the totalitarian form of power held by high ranking officials, with no check or balances they are free to be huge asses.
One of my favorite parts of the film was the final scene, after a bunch of innocent men were sent to a firing squad because they were too weak. Dax played by Kirk, comes in on a conversation between Mireau and Broulard , another high ranking official where Mireau is informed there will be an inquiry on his actions during the attack on the ant hill.
I hope this works, but this is the firing squad scene, it really captures Kubrick's directing style, where the soldiers are shown at high angle signifying their unimportance, and the Colonels are show at a low angle showing power.
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